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Paintings Italian painting. For the first time, these holy figures, bathed in a gentle light, are set in rocky landscape. The many contemporary copies of the picture attest to the immense popularity of this new vision of the theme. The Louvre version of the picture was to have been the central part of a polyptych which the Brotherhood of the Immaculate Conception commissioned Leonardo and the de Predis brothers to paint for a chapel in the church of San Francesco Grande in Milan in The other version, now in the National Gallery in London and known to have formerly been in this chapel, and several archive documents indicate that the Louvre painting was never installed there.
Its presence in the French royal collection is attested from, but several clues suggest it may have been acquired much earlier. Comparison of the two versions of The Virgin of the Rocks clearly shows the ambiguous iconography of the first, about which much has been written. The desert in which the meeting between the two immaculately conceived children is traditionally depicted has been replaced by a supernatural rocky grotto, water and plants.
The Virgin of the Rocks is the first picture Leonardo is known to have produced in Milan and has stylistic similarities with works painted towards the end of his stay in Florence such as The Adoration of the Magi Florence and Saint Jerome Rome , whose aesthetic concepts it develops.
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The rigorously ordered pyramidal composition does not hinder the movement of the figures, and the painstaking orchestration of their gestures the superimposition of hands and interplay of looks takes on a new intensity in the diffuse light which softens outlines without weakening the modeling of the figures. Yet it was not until , when the cartoon of Saint Anne was first shown in Florence see INV that these principles were put into practice by other artists.