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Retrieved 15 December Warner Bros. The New York Times. Retrieved 4 May The Washington Post. Archived from the original on 4 November Retrieved 11 February NRC in Dutch. Shakespeare Studies. Fairleigh Dickinson Univ Press. William Shakespeare 's Hamlet. Dumbshow Induction Quiddity Substitution. Sources Criticism. Moscow Art Theatre — Richard Burton Hamletmachine Dogg's Hamlet Fortinbras Rockabye Hamlet The Lion King Hamlet, Revenge! Last Action Hero Hamlet Sons of Anarchy. Films directed by Kenneth Branagh. Swan Song Listening Namespaces Article Talk.

Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Film poster. David Barron. Hamlet by William Shakespeare. Alex Thomson. Sony Classical Records. Best Art Direction. Best Costume Design. Best Original Dramatic Score. Best Writing Adapted Screenplay. Art Directors Guild Awards. Tim Harvey , Desmond Crowe. British Academy Film Awards. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her.

The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love. Therefore prepare you; I your commission will forthwith dispatch, And he to England shall along with you: The terms of our estate may not endure Hazard so dangerous as doth hourly grow Out of his lunacies. The cease of majesty Dies not alone; but, like a gulf, doth draw What's near it with it: it is a massy wheel, Fix'd on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortised and adjoin'd; which, when it falls, Each small annexment, petty consequence, Attends the boisterous ruin.

Never alone Did the king sigh, but with a general groan. Look you lay home to him: Tell him his pranks have been too broad to bear with, And that your grace hath screen'd and stood between Much heat and him. I'll sconce me even here.

Hamlet at Elsinore - William Shakespeare.

Pray you, be round with him. Where is your son? Lord Hamlet! O, here they come. How dangerous is it that this man goes loose! Yet must not we put the strong law on him: He's loved of the distracted multitude, Who like not in their judgment, but their eyes; And where tis so, the offender's scourge is weigh'd, But never the offence.

To bear all smooth and even, This sudden sending him away must seem Deliberate pause: diseases desperate grown By desperate appliance are relieved, Or not at all. You know the rendezvous. If that his majesty would aught with us, We shall express our duty in his eye; And let him know so. Captain I will do't, my lord. Gentleman She is importunate, indeed distract: Her mood will needs be pitied. Gentleman She speaks much of her father; says she hears There's tricks i' the world; and hems, and beats her heart; Spurns enviously at straws; speaks things in doubt, That carry but half sense: her speech is nothing, Yet the unshaped use of it doth move The hearers to collection; they aim at it, And botch the words up fit to their own thoughts; Which, as her winks, and nods, and gestures yield them, Indeed would make one think there might be thought, Though nothing sure, yet much unhappily.

Servant Sailors, sir: they say they have letters for you. Exit Servant. The queen his mother Lives almost by his looks; and for myself-- My virtue or my plague, be it either which-- She's so conjunctive to my life and soul, That, as the star moves not but in his sphere, I could not but by her. The other motive, Why to a public count I might not go, Is the great love the general gender bear him; Who, dipping all his faults in their affection, Would, like the spring that turneth wood to stone, Convert his gyves to graces; so that my arrows, Too slightly timber'd for so loud a wind, Would have reverted to my bow again, And not where I had aim'd them.

You shortly shall hear more: I loved your father, and we love ourself; And that, I hope, will teach you to imagine-- Enter a Messenger. A churchyard. Second Clown I tell thee she is: and therefore make her grave straight: the crowner hath sat on her, and finds it Christian burial. First Clown How can that be, unless she drowned herself in her own defence?

Second Clown Why, 'tis found so. First Clown It must be 'se offendendo;' it cannot be else. For here lies the point: if I drown myself wittingly, it argues an act: and an act hath three branches: it is, to act, to do, to perform: argal, she drowned herself wittingly. Here lies the water; good: here stands the man; good; if the man go to this water, and drown himself, it is, will he, nill he, he goes,--mark you that; but if the water come to him and drown him, he drowns not himself: argal, he that is not guilty of his own death shortens not his own life.

Second Clown But is this law? First Clown Ay, marry, is't; crowner's quest law. Second Clown Will you ha' the truth on't? If this had not been a gentlewoman, she should have been buried out o' Christian burial. First Clown Why, there thou say'st: and the more pity that great folk should have countenance in this world to drown or hang themselves, more than their even Christian.

Come, my spade. There is no ancient gentleman but gardeners, ditchers, and grave-makers: they hold up Adam's profession. Second Clown Was he a gentleman?

  • Chaos: The First.
  • Hamlet: Entire Play!
  • Not So Crazy After All.

First Clown He was the first that ever bore arms. Second Clown Why, he had none. First Clown What, art a heathen? How dost thou understand the Scripture? The Scripture says 'Adam digged:' could he dig without arms? I'll put another question to thee: if thou answerest me not to the purpose, confess thyself-- Second Clown Go to. It is not compelling to watch an asshole be an asshole for four hours. You know what's far more compelling? A kind young man struggling with grief and anger, informed suddenly that he must become cruel and unkind.

If you accept the first folio as real, the only line referring to his age establishes him as 20 at most. It is the second folio where the same line is changed to referring to a year period since Yoric's death, rather than a year period. As a result, the idea that he's thirty probably comes from dialogue changes as the Hamlet actor aged.

I know no one read this, but Hamlet should be a teenager. Ophelia's character is about agency. Her character is doubted by all the other characters, yet keeps to her guns and continuously sticks up for herself. So many adaptations of this show will take away her agency and give it to the other characters, making her final mad scene seem silly and out of place.

Do not let the narrative take her agency away. Emphasize her inner turmoil! Build up her ending madness! On a related note: if scene 3.

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  7. You are supposed to care about these two characters, both separately and together. You are supposed to feel both of their pains. You are not, not, not supposed to only care for Hamlet because of his blinding angst over his girlfriend. Give this moment to Ophelia. Give her the agency she deserves. It is so, so important to get Gertrude right. One of the best scenes in this entire show, to me, is the closet scene between Gertrude and Hamlet. But you have to make Gertrude's character interesting.

    Her pain has to matter as much as anyone else's. In general, y'all suck at portraying Claudius. He's obviously a bit of a smart villain in contrast to his heroic older brother, but that's not the extent of his characterization. Claudius is, in actuality, somewhat of a clever political player.

    Prince Hamlet - Wikipedia

    You shouldn't love him, but if you hate him, this will not be as interesting a play. Please watch it before you read it because it's not as good unless you've seen a really good production. Save yourself and skip Branagh - Tennant's a little better, actually. Blog Goodreads Twitter Youtube View all 12 comments. Is it possible that I had only read the first 4 scenes and Hamlet already became one of my favorite male characters ever? And this is considered a tragedy which in some ways it is but I found it so funny probably because I have a dark soul and I will definitely reread this at any given moment of peace.

    I could go on about how it is a story of madness and revenge. I could talk about the bonds of family loyalty, the sacrifices of love, the breaches of trust and their deleterious effects on the psyche. But this is old news— Hamlet has been around for over four hundred years. Drama can be so much freaking fun. There is a reason it sells, a reason there are countless dramatic television shows on the air, countless box office films released each year rehashing the same old dramatic plotlines some to great effect; others, not so much. And there is a reason people are still reading Shakespeare centuries upon centuries after his death: they are fun, they are witty, they are ever so dramatic.

    Hamlet is no exception. But what is Hamlet if not a soap opera for the Elizabethans? It is an epically tragic train wreck crammed into five tiny acts. What makes this piece of drama so timeless, though, is that its action is served in such perfect complement by its depiction of character. We all know what Prince Hamlet is going to do before he does it. Why else would he be so cruel to Ophelia?

    And yet it is this internal turmoil that fuels our interest in the action. It might seem like an ordinary train wreck at its surface, but upon deeper inspection it is a train wreck in whose conductors and engineers we have a vested interest. So, witty discourse meets fast-paced drama meets penetrating character introspection?

    It almost makes me wonder what would have become of Luke and Laura had William Shakespeare been in charge of the script. View all 47 comments. May 26, J. Shakespeare is an adept poet and master of the language. He layers on jokes, puns, and references everywhere. He has a massive output of work, and a number of different plots.

    When we compare him to other authors, it is difficult to find anyone who stacks up--but then, we're often comparing him to the wrong people. Shakespeare didn't write books or pamphlets or epics, he wrote plays: short pieces of drama that were meant to be fast-paced and exciting. That they are mainly experienced today as bou Shakespeare is an adept poet and master of the language.

    Prince Hamlet

    That they are mainly experienced today as bound books and not theatrical productions does not change their origins. If one wants to look at the achievements of Shakespeare, he should be compared to someone of a similar bent. He should be compared with prolific writers known for catchy jokes and phrases. Writers who reuse old plots, making fun of their traditions. Writers of work meant to be performed. Writers who aim for the lowest common denominator, while still including the occasional high-minded political commentary.

    Shakespeare was meant to be lowbrow and political, but now it only reads that way to those who are well-educated enough to understand his language, reference, and the political scene of the time. If you do know the period lingo, then his plays are just as filthy as any episode of South Park. For example, the word 'wit' refers to a fellow's manhood this one comes up a lot , here's an example from Much Ado About Nothing : Don Pedro: I said that thou hadst a great wit. Yay, said she, a great gross one. Nay, say I, a fine wit. Yay, said she, a fine little one.

    Nay, said I, a good wit. Just, said she, it hurts nobody. Plus there's the title of that play, which references the fact that 'nothing' was slang for a woman's maidenhead, which occurs also in Hamlet: Hamlet: That's a fair thought to lie between a maid's legs. Ophelia: What is, my lord? Hamlet: Nothing. He was also not one to pass up a good cunt joke. Shakespeare often refers to mythology because that was the standard pool of reference for authors at the time. Family Guy references 's pop culture. Is that any less esoteric? How esoteric will Mr. T be after years assuming he doesn't find his way into the latest testament of the bible anytime soon?

    Additionally, all of Shakespeare's magnificent plots were lifted, sometimes whole cloth, from other books and histories, just like how sit coms reuse 'episode types' or borrow plots from popular movies. Shakespeare was not quite as visionary or deep as he is often given credit for. Rather, he was always so indistinct with the motives and thoughts of his characters that two critics could assign two completely different and conflicting motives, but find both equally well-supported. Is Shylock evil because he's a Jew, evil despite the fact, or evil because of the effects of racism on him?

    You can make a case for all three. Marlowe the more practised and precise writer never left interpretation to chance, and where has it gotten him? Shakespeare was an inspired and prolific author, and his effect on writing and talent for aphorism cannot be overstated. I think he probably wrote the King James version because it is so pretty. However, he is not the be-all and end-all of writing. His popularity and central position in the canon comes mainly from the fact that you can write anything you like about his plays.

    Critics and professors don't have to scramble, or even leave their comfort zone. Shakespeare's work is opaque enough that it rejects no particular interpretation. No matter your opinions, you can find them reflected in Shakespeare; or at least, not outright refuted.

    His is a grey world, and his lack of agenda leaves us pondering what he could possibly have been like as a person. His indirect approach makes his writing the perfect representation of an unsure, unjust world. No one is really right or wrong, and even if they were, there would be no way to prove it. I don't know whether this makes him the most or least poignant of writers. Is the author's absence from the stories the most rarefied example of the craft, or is it just lighthearted pandering?

    Either way, he's still a clever, amusing, insightful, and helplessly dirty fellow. View all 25 comments. It is only when I read and compare across languages that I realise what a hard and thankless job translation is, especially older texts and more so when there's a significant cultural distance between languages. Shakespeare's diction is so profoundly poetic and idiomatic that it might be thought untranslatable, even when it is rendered into modern English idiom, it loses its antique beauty when tampered with, like those monuments reconstructed from history that look like originals but actually a It is only when I read and compare across languages that I realise what a hard and thankless job translation is, especially older texts and more so when there's a significant cultural distance between languages.

    Shakespeare's diction is so profoundly poetic and idiomatic that it might be thought untranslatable, even when it is rendered into modern English idiom, it loses its antique beauty when tampered with, like those monuments reconstructed from history that look like originals but actually are not. And so reading Shakespeare in Urdu was always going to be a fascinating experience. I commend Firaq Gorakhpuri's consummate skill in recreating Hamlet in an idiom that recalls the dying days of the classical dialect mixed in with sufficient modernist invention to keep it coherent, but without employing too many calques and direct borrowings which would have grated on my nerves.

    I also like that the translator did not depart from the prose-poetry form of the original. All in all, this translation of Hamlet may go down as one of the finest examples of how to translate classical English literature, and not just Shakespeare, in a language that is fast losing translations from other cultures. December ' View all 26 comments. Shelves: read-in , getting-to-know-shakespeare.

    He is a man living in meditation, called upon to act by every motive human and divine, but the great object of his life is defeated by continually resolving to do, yet doing nothing but resolve. And yet to me what is this quintessence of dust? In the opening scene of Act I, a melancholic dejection has already taken hold of The Prince and, whether in self-preservation or in fear of foul reality, he engages in deluded gibberish easily attributable to a man whose reason has abandoned him.

    And yet his inquisitive soliloquies are infused with the elucidating sharpness of a genius, someone with great intellectual capacity who taunts with puns and riddles that contain receding depths and layers and layers of meaning in them. The world of Hamlet is phantasmagorical, in constant disruption with the burdens of the past, the betrayals of the present and the falsehood of the future.

    Everybody around him seems to have hidden agendas. Yet his keen eyes discern it all…but at what cost? In the course of the action though, a transformation has taken place in him, the doubtful Prince has grown in wisdom and is ready to submit to providence without repudiating the world. The welfare of the Kingdom, the sense of honor, the corroding lust or ambition, all dissolve in the spectacle of beholding the spirit of man blossoming and most triumphant… in defeat.

    View all 55 comments. Nov 29, Manny rated it it was amazing Shelves: too-sexy-for-maiden-aunts , life-is-shakespeare , why-not-call-it-poetry. This review has been hidden because it contains spoilers. To view it, click here. View all 34 comments.

    Hamlet by William Shakespeare

    Updated review February This is my third time reading Hamlet and, like a fine wine I read the same copy I've had lying around for years with one page of notes on the left and the play on the right. This time I was able to read most of the play without notes which was pretty awesome. Just had to glance over to figure out what some of the words meant l, but I actually got the story this time. It's taken me three tries with a book that helps me cheat, but boy oh boy I fin Updated review February This is my third time reading Hamlet and, like a fine wine It's taken me three tries with a book that helps me cheat, but boy oh boy I finally got this down.

    It's beautiful! I loved it! It really hits a variety of genres and kept me turning the pages. It was weird I read it pretty slowly to breathe in the language and take my time with it, even reading it out loud at times until my wife made me shut up. I tried to get her to play the female parts, but she wasn't feeling it. I guess she really just had the Queen of Ophelia so her options were limited.

    But yeah, I read it slowly but it also seemed to fly by at the same time. Hamlet is a very complex guy who goes through a range or emotions as the story unfolds. His monologues are just really great poetry that I wish I could memorize and just belt out randomly on a street corner or while I'm in the grocery store contemplating another unhealthy snack. To be or not to be I loved the monologues. I loved when things just went nuts at times.

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    The ending was just crazy and awesome. It's just a daggum fantastic story, and you should give it a shot if you haven't already. Find a copy that helps you and breaks down the language and all that. It's good. I've got Macbeth on the shelf, too. Might be time to revisit it and then tackle more Shakespeare. I've gotta be in the right mindset though. Can't just be reading all this nonsense all the time. I have real books waiting to be read, too. Books with real words and stuff.

    Previous review: I once asked a friend of mine if he liked Shakespeare to which he responded, "I don't dislike Shakespeare". That's exactly how I feel about him, too. My thoughts on Shakespeare haven't really changed much in the past 15 years. His stories are great, but they were written so long ago that it's not always fun to read.

    I appreciate the hell out of the guy, but he will never be my first choice or second or third when I'm looking for something new to read. That being said, this was my favorite play to read through. Maybe I'm older now and find it easier and more enjoyable to read this stuff for pleasure rather than because I may have a pop quiz over the third act.

    I thought the story was fantastic and was surprised by how many lines I recognized from just being a human and dabbling in a little bit of culture every now and then. Would I have ever read this if it wasn't being read in a group to prepare for Infinite Jest? But, I did and I'm glad I took the time to do it. View all 11 comments. Nov 13, Sean Barrs the Bookdragon rated it did not like it Shelves: classics , 1-star-reads , plays , shakespeare.

    This is nothing unusual or exciting. This play was frustrating, annoying and damn right revolting. Objectively speaking it is, of course, a work of sheer brilliance. However, Hamlet is one of the most idiotic and self-obsessed characters in creation. He caused his own death and the death of everyone in the play; yes, again, this makes his inaction tragic but it was also completely self-defeating; it boarded upon the absurd.

    The man needed a slap and a reality check, I just find him so unbearably frustrating. However, I am going to lay down three points of reasoning as to why I disliked it so. His uncle has killed his farther; he has personally murdered his own brother by pouring poison into his ear. This man, Claudius, has no empathy; he has no conscience. If a man can so callously kill his own brother, then, surely, logically speaking, trying to appeal to his sense of regret is almost pointless.

    But, yet, somehow, this cold hearted man is deeply affected by his deed that is manifested in Hamlet's mock play. Claudius admits his guild, in prayer, and sets Hamlet into a more crazed state. How is this revenge? Hamlet is a fool Hamlet needed to step and truly consider his situation; yes, he does this in five soliloquies, but he never considered one angle; he never considers that his inaction could lead to a worse result that acting directly.

    He stages a play for the King to get revenge after much indecisiveness. The most direct action of revenge would have been to simply run the King through with a sword in the throne room or to poison him in kind. This would have made him a murderer, so it was off the table. He could have clenched his fists, and grinded his teeth, and just got on with the situation.

    So he could not really go down either route, but to do neither is worse than simply ignoring one. It leads to the bloodbath that is the final scene, which forced his hand. On a character level, I think of Hamlet as a coward who, ultimately, causes his own fate. He has two roads before him, and instead of taking either he forces a third road that is more detrimental than either.

    He is too self-obsessed Hamlet barely considers anyone else. To his mind, his uncle marrying his mother is incest. In renaissance England this was as bad as full blown incest. Claudius and Gertrude were only in-laws: siblings by marriage. He is repulsed by the notion, but she could be in love or she could be in the more likely eventuality of a forced marriage. But, Hamlet just infuriates me far too much for me to overlook my dissatisfaction with him and admire the play's formal features. I just cannot personally like it.

    View all 14 comments. Feb 09, Trevor rated it it was amazing Recommends it for: humans. Shelves: literature. There are different things I would say to different people about Hamlet — and as this is the near perfect play I guess there ought to be many and various things one could say about it.

    Aristotle was a top bloke, one of my favourites. In his poetics he says what he thinks makes a good tragedy. The first thing is that you needed a fall from grace. It is hardly a tragedy if the tragic figure is already at the bottom of the heap. There has got to be a fall or there really is no tragedy. The flaw needs to be fairly easy to identify — pride, for example, or lust — something easy to spot and it needs to be the reason for the downfall.

    Well, Hamlet is the Prince of Denmark, so he has a long way to fall. But just what is his tragic flaw? I think Hamlet is an enlightenment figure in an age only just and even then, not quite casting off the last remnants of the dark ages — and Shakespeare is an enlightenment figure doing much the same. It is important to remember that Shakespeare is writing at a time when King James is king. James was a very interesting King — not simply because he was homosexual and spent a lot of time chasing young men around the castle.

    On her way to England a storm blow up and made her crossing incredibly dangerous and frightening. James was not impressed. He decided that the storm was caused by the ill-will of local witches as one does — so a goodly number of old women were gathered together and killed for daring to cause such an irritation for his new bride. In my view the people who say that Hamlet hesitates are dark age types. What happens in the story? In the dark ages this would have been enough. However, Hamlet decides to test what the ghost has told him by putting on a play in which the circumstances of the murder are acted out in front of his uncle to see if he gives himself away — he does and Hamlet almost immediately tries to kill him deciding against it on religious grounds the first opportunity that arises — interestingly and then mistakenly kills the Prime Minister about five minutes later.

    So, does he hesitate? Well, yes. But only in the sense that trying to confirm the advice presented by a ghost before killing your uncle is a bad idea. I love this play — I think it is one of the greatest things ever written in our language. Imagine your lover killing your father — what a complete nightmare. There is so much in this play to talk about — it is truly endless. That people go on and on about it being about hesitation really is saying just about the dullest thing about it. Hamlet is playing with forces greater than himself — he is trying to understand those forces, as he is a thoughtful, rational person, but sometimes we are too close to what is going on in our lives to really get to see — even if we are incredibly clever.

    Sometimes only those outside can see and understand. There are some interesting Oedipal themes going on here too. Lear is much the same, but worse in so many ways. As Oedipus must go on, even after plucking his own eyes out. Ah, but you know what those bloody Greeks are like, George. View all 24 comments. Isn't it always a delight to delve into one of Shakespeare's world-famous plays? After finally finishing that play, not only was I relieved to have conquered it successfully, no, it had also raised my interest for other Shakespearian plays.

    Macbeth, Julius Caesar Isn't it always a delight to delve into one of Shakespeare's world-famous plays? Macbeth, Julius Caesar, A Midsummer Night's Dream - all of them are fantastic plays and an intriguing choice to spend some hours with. But none of them left me as enthralled, shocked and intrigued as Hamlet did. Everyone is probably familiar with the basic storyline of Hamlet, the Prince of Denmark, and his story of revenge. You may call into question Hamlet's intelligence in the performance of his revenge, but this does not erase the way Shakespeare has so beautifully written one of his most well-known plays to engage readers of the original text as well as viewers of the stage performances alike.

    The play has been discussed and analyzed so many times already that it probably does not need yet another review, especially since I don't consider myself to be in the position to elaborately judge or even criticize the sophisticated language or the engaging storyline. I'd recommend this tale to everyone, even or especially if you don't know Shakespeare yet or don't want to read anything else by him due to negative experiences with his other plays. Hamlet may be called a classic thriller in its essence, but it is also an exploration on themes like humanity or the worth of whether revenge as a reaction to certain deeds is truly appropriate.

    Read and judge it for yourself, but read it. Until now, I have been reading Shakespeare's plays mostly because I thought everyone has to at some point, but Hamlet turned out to be a compelling reading journey, even if you are already familiar with the basic concept of the story. Feb 28, Jason Koivu rated it it was amazing Shelves: favorites , fiction. My favorite is: "Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times.

    They screw up everything! I grew up in a truly idyllic setting. As childhoods go, mine was a joy. But then you grow up and you wake up t "To be or not to be But then you grow up and you wake up to reality. My introduction to Hamlet came during high school in my early teen years. Its murderous plot of family deceit and infidelity struck home, my family being likewise stricken with such maladies.

    Mel Gibson's movie version came out at this time, and its over-simplification and emotional heightening was a perfect fit for a simple-minded, emotionally-blinded teen. Less than stellar, the movie nonetheless had its effect upon me, furthering the torment. Luckily my family drama was not as murdery as Hamlet's, although if the personalities of some of the principle players were slightly more volatile, there could easily have been a bloodbath of Hamlet-esque proportions.